Billy Joel opens up about a lot of things in a new interview with The New York Times Magazine, including dating, not writing any new pop songs and Elton John's "mom hair." But he also addresses two subjects the tabloids have mostly focused on since Joel stopped making pop records two decades ago: his drinking and the state of his finances.
Jon Bon Jovi called Justin Bieber an a--hole for showing up late to his shows. The Bon Jovi frontman told London's Evening Standard that the 19-year-old pop star is in danger of losing his fans with that attitude. “Every generation has guys that do that," Bon Jovi said. "None of that is new."
John Mellencamp and Stephen King may receive higher billing on ‘Ghost Brothers of Darkland County,’ but the album really belongs to T Bone Burnett.
By the mid ‘70s, Ray Davies was so immersed in theatrical rock operas, he probably hadn’t noticed that he had lost all but the most devoted of the Kinks’ fans. The band’s string of albums in the first half of the decade was steady and, for the most part, forgettable: ‘Everybody’s in Show-Biz,’ the two-act ‘Preservation' series, ‘Soap Opera,’ ‘Schoolboys in Disgrace.’ Can anyone name more than two songs from these five records?
Back in 1976, when Paul McCartney & Wings’ live album ‘Wings Over America’ was released, the band was coming off a string of four No. 1 records. The triple-album set, culled from various concerts the group performed on their 1976 U.S. tour in support of ‘Wings at the Speed of Sound,’ soon became their fifth straight No. 1. (The last three-record LP to reach the top spot was by one of McCartney’s old bandmates: George Harrison’s ‘All Things Must Pass.’)
Elton John and Paul Simon were among the stars who helped raise more than $80 million at a benefit held Monday night (May 13) in New York City. Bono and Sting also were on hand at the 25th anniversary Robin Hood Foundation gala at Jacob Javits Center.
Roger Daltrey set the record straight about the time he knocked out Pete Townshend today. The Who singer told Howard Stern, on his radio program and TV show, that the story, which Townshend told a couple of years ago, is indeed true.
The Who were approaching the end of the recording sessions for their second concept album, ‘Quadrophenia,’ when Roger Daltrey’s first solo record was released in May 1973. And fans expecting a rock-god epic from the singer were in for a surprise. Unlike Pete Townshend’s and John Entwistle’s solo albums, which sounded enough like Who records if you wanted them to, ‘Daltrey’ was all about distancing the singer from his band.
What do you get when you combine severed eyeballs, two stars from 'The Dark Knight Rises,' whiskey-swilling holy men and bloody stigmata? Duh -- it's the new David Bowie video.
‘Let It Be’ was supposed to be the album that would bring the Beatles back together. After an increasingly fractious couple of years that culminated in 1968’s self-titled (‘White’) album, which was basically four solo records for the price of a double LP, the four Beatles holed themselves up in London’s Twickenham Film Studios, and then at Apple Studios, during the first month of 1969 to re-spark their dying flame. No outside visitors, no BS -- just four guys hanging around playing music. Just like the old days. They called it ‘Get Back.’
After eight albums and almost as many years kicking around just outside of mainstream success, Bob Seger finally had a hit record with 1976’s ‘Night Moves,’ a moving, soulful and rocking look back on the people and places that shaped him. After so much hard work and sweat put into his music over the past decade, the Michigan native was starting to see it all pay off. So why turn back now? Why change what works? Why, for that matter, would Seger want to test any new ground on ‘Night Moves’’ follow-up? He wouldn’t.
